EXPERIMENTAL MEDIA VOODOO: Online Resources
by Joey Bargsten
Sentia Publishing, LLC: 2018
0. Preface/Foreword
Link | Description |
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[0.1] | James Hillman, Re-Visioning Psychology, p 213 (1975). William Morrow Paperbacks; Reissue edition (June 19, 1997). |
1. Definitions & Frameworks
Link | Description |
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[1.1] | Man Ray: Prophet of the Avant-Garde. American Masters Series DVD, Fox Lorber/Winstar: New York. 2000. |
[1.2] | Jodi.org |
[1.3] | Absurd.org (through the Way Back Machine) |
[1.4] | Dunn & Raby Speculative Everything |
[1.5] | Eduardo Kac |
[1.6] | Critical Art Ensemble |
[1.7] | Social media undermining objective fact |
[1.8] | Database as Symbolic Form by Lev Manovich (1998) |
[1.9] | Joey Bargsten (hereafter cited as author) Ultra Mega Nano Meta art exhibit (2010) |
[1.10] | SkyRon™ (author's alternate persona), TranzMishUnz™ (2002 - present) |
[1.11] | Zero Film Festival |
[1.12] | Warhol Retrospective, Los Angeles (2002) |
[1.13] | Author, Hexagram of Trichords (1985). Online hexagram of trichords generator (requires Adobe Flash Player) |
2. Experimental Visuals
Link | Description |
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[2.1] | One of many Lettrisme websites | .
[2.2] | The ASCII video filter in Processing is available in its latest version. Download and install the application, then go File › Examples... › Libraries › Video › Capture › Ascii Video. |
[2.3] | Kanye West, Welcome to Heartbreak, directed by Nabil Elderkin. |
[2.4] | Chairlift, Evident Utensil, directed by Ray Tintori. |
[2.5] | Jeremy Rotsztain, Top 10 Movie Explosions |
3. Experimental Music & Sound
Link | Description |
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[3.1] | Smule, I am T-Pain. Artist no longer relevant to this text, however, T-Pain is still fondly remembered for his SNL cameo, I'm On A Boat! |
[3.2] | PureData AutoTune Forum |
[3.3] | Author, Fallen Angels (1993). Fallen Angels is in Volume V, Part 1, 0:03 - 10:03 of The Bad Mind Time Digital Symphonies. |
[3.4] | Steve Reich, from Music as Gradual Process (1968). |
[3.5] | Author, Bad Mind Time™ Digital Symphonies |
[3.6] | Author, SkyRon™ Performs on the Kombo, (2016). |
[3.7] | Autechre, Ganz Graf, (2002). |
[3.8] | Herbert Brün, Guest Editorial, Keyboard Magazine, December, 1985; p. 8. |
[3.9] | Author, mNotation™ Software, 1999-present |
[3.10] | Author, mNotation™ Score for Digital Audio and String Quartet, 2010 (.pdf format). |
[3.11] | Édouard-Léon Scott de Martinville, "World's Oldest Recording", (1860) |
4. Experimental Text
Link | Description |
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[4.1] | SitePal Avatar. |
[4.2] | Voki Avatar |
[4.3] | Gary Sullivan as quoted inThe Darkness of the Present: Poetics, Anachronism, and the Anomaly by Steve McCaffery, p.77-78. |
[4.4] | Joyelle McSweeney, reviewing Drew Gardner’s Petroleum Hat (Roof Books: 2005) for The Constant Critic |
[4.5] | Flarf on YouTube: Sharon Mesmer, Steven Roggenbuck, Gary Sullivan. "Flarf" as a poetic genre or practice is not to be confused with FlaRF, Florida Renaissance Festival. |
[4.6] | Ryan Trecartin, K-Corea INCK (video) |
[4.7] | Ryan Trecartin, K-Corea INCK (script) |
[4.8] | Poetry Generating Software |
[4.9] | Techniques for Generating Unstable Poetic Forms |
5. Processes for Creating Experimental Media
Link | Description |
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[5.1] | Igor Stravinsky, The Poetics of Music (1942). Harvard University Press: Cambridge, MA. Page 63. |
[5.2] | Keith Haring, Voodoo Diva |
[5.3] | Hugo Ball at Cabaret Voltaire. Zurich, 1916 |
[5.4] | Parade (1925) |
[5.5] | John Cage, American Masters (1990) |
[5.6] | Conlon Nancarrow |
[5.7] | Orlan |
[5.8] | Andy Warhol |
[5.9] | Maya Lin |
[5.10] | Music of the Spheres |
[5.11] | SkyRon™, The Cyborg Dreams |
[5.12] | Graffiti, Media Appropriation, Mashups, and Remix Culture |
[5.13] | Graffiti Research Labs |
[5.14] | Banksy |
[5.15] | Blu |
[5.16] | Negativland |
[5.17] | Todd Neely |
[5.18] | DJ Danger Mouse |
[5.19] | YouTube Video Walls |
[5.20] | Darren Solomon, In Bb |
[5.21] | Tan Dun, Internet Symphony Eroica. What a monumental achievement, sure to endure for a thousand years (yawns). Oh, and it lasts about 4 minutes and 45 seconds. |
[5.22] | Apparati Effimeri |
[5.23] | Filament @ Tyneside Cinema Launch |
[5.24] | Nancarrow, again. |
[5.25] | Author, Energy Levels (1983). |
[5.26] | Author, PARADOXA™ (1998). |
[5.27] | Author, memento mori™ (2001). |
[5.28] | Louis Armstrong, West End Blues (1928) |
[5.29] | Author, Passing Bird (2014). Music by Toro Takemitsu. |
[5.30] | Author, Distonea (2016). |
[5.31] | Author, Microsongs (2005). |
[5.32] | Author, Projek Iaght (2005). |
6. Hybrids—Forms & Ideas
Link | Description |
---|---|
[6.1] | Mapping VJing Festival |
[6.2] | Ars Electronica |
[6.3] | The Interventionists |
[6.4] | Author, Anatomy of Melancholy |
[6.5] | Leon Johnson |
[6.6] | Blue Hammer |
[6.7] | Apple Daily |
[6.8] | Tiger Wood's Infidelity Drama as seen on Apple Daily |
[6.9] | Wonkette |
[6.10] | Justin Novak, Allegories |
[6.11] | Author, BadMindTime™ (1995-2003) |
[6.12] | Author, Hybrid Forms and Syncretic Horizons, Lambert Academic Publishing: Saarbruchen, 2011. |
[6.13] | Online Resources for VJing |
[6.14] | Steve Reich, Pendulum Music (1969) |
7. Conclusions, Contexts, Design Dimensions
Link | Description |
---|---|
[7.1] | Lev Manovich, Database as Symbolic Form (1998). |
[7.2] | Jeff Han |
[7.3] | Minority Report (2002) |
[7.4] | Jacob Nielsen |
[7.5] | Gestures |
[7.6] | Performance Apps |
[7.7] | Dada Apps |
[7.8] | Ocarina |
[7.9] | Leaf Trombone |
[7.10] | BeBot |
[7.11] | ReacTable |
[7.12] | Wired Magazine, "Four Quadrants" |
[7.13] | Author, from Sticky Notes™ (2008) |
[7.14] | Archive.org |
[7.15] | Sims |
PRACTICA
Link | Description |
---|---|
[P.1.0] | PRACTICUM: Introduction to Glitch Art and Datamosh Video |
[P.1.1] | PBS Offbook: The Art of Glitch |
[P.1.2] | Chairlift, Evident Utensil |
[P.1.3] | Photoshop Workflow Introduction |
[P.1.4] | Rutt-Etra-Izer |
[P.1.5] | Quartz Composer Tutorials |
[P.1.6] | Rutt-Etra Plugin |
[P.1.7] | Datamosh Plugin |
[P.2.0] | PRACTICUM: SoundSalads and Sound Hacking with Free Sound Software |
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[P.3.0] | PRACTICUM: Group Unity3D Projects/Intro to Virtual Reality Design |
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APPENDIX
Link | Description |
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[A.1.0] | Sonic Basics |
(Sorry, folks, we're still getting all of this fixed--youe patience is greatly appreciated!).